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Daniel Eve's avatar

Hi Rei! This is my first encounter with your writing. Great article! Here’s a couple of points that might be of interest:

I feel like the economic aspect in all this is vitally important - there’s a big difference between the Dragonball fiasco (too much money paid for the rights, not enough left for creatives/the actual movie), and the basically limitless money hose funding Shogun/Pachinko. The economic model of streamers gives a lot more scope for scope, as it were, rather than hoping to get mallrats to turn out to the theater on Friday night in San Bernadino. I don’t know the extent to which this is true for shows about other countries, but this economic shift doesn’t feel particularly Japan-centric.

Hollywood hasn’t always been a dumbing-down machine vis-a-vis Japan. When Akira Kurosawa couldn’t get a home movie made 20th Century Fox funded Kagemusha (due to the intercession of George Lucas).

That’s all I’ve got. Thanks again for the article!

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Robert Guillam's avatar

Great post. Starting with The Last Samurai and ending with Shogun really illustrated how far things have progressed.

Hollywood is really late to the game. Fans of manga and anime are no strangers to the complex themes and storytelling found in Japanese creative works.

Also great to see someone like Sanada Hiroyuki get his due in a leading role. The guy can act. I watched Mortal Kombat before starting on Shogun. Dude was carrying the whole show on his shoulders (with help from Chin Han and Asamo Tadanobu)

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